Copyright 2001 James A. Swan, Ph.D.
"The buck stepped out from behind the tree, a scant 20 yards away. I
raised my bow, picked a spot directly behind the foreleg, and without
thinking the arrow flew directly into the middle of the heart-lung kill
zone. I cannot remember releasing the arrow, but it was a perfect shot
and the deer died within seconds."
Does this sound like you? There are those moments in all sports when
mind and body melt together into a dynamic unity of concentration and
perfection just unfolds. "The zone" some sports psychologists call it.
When you are in it, whether you are shooting an arrow at a deer or a
target, hitting a golf ball, or throwing a touchdown pass, things seem
to slow down, your concentration is flawless, and you effortlessly
execute with precision. Then, there are those other times.
“The buck stepped out from behind the tree. My legs and hands
were shaking so much the arrow started rattling against the bow. I
started to raise the bow and the arrow fell off the rest and onto the
ground. The buck stood there looking at me. My heart was beating so
loud that I think that was what scared him off. I just came
unglued.”
We all miss on occasion. Game animals are not stationary targets.
Branches do get in the way. The wind blows. But, when "buck fever"
strikes, it is as if a demon spirit has possessed us to prevent making
an accurate shot, or even getting the bow drawn. "My hands were shaking
so hard that the arrow was beating like a drumstick against my bow." "I
dropped the arrow off the string." “I broke out in a cold
sweat, and my eyes were watering, and then I sneezed, more from
excitement than any allergy.” Sound like you?
If there was no excitement at the approach of game animals, then it is
probably time to hang up the bow or gun and try photography. Or, if all
you want is excitement, there’s always sky diving or
bungee-jumping. The real issues for the hunter to be successful are how
much excitement does that approaching buck stir up and how do you
manage it. In this article I am going to offer some suggestions for
turning “buck fever” into successful shooting. The
suggestions are based on some of the latest training and preparation
methods in sports psychology; developed for people for whom peak
performance is an occupational requirement, and my experience as a
psychologist.
Before we begin, let me say that I have hunted and shot competitive
archery since I was pre-teens. In my teens, shooting in a league of
Olympic-aspirants that included former Miss Michigan, Ann Marston, I
developed target panic. I cured myself by taking the sight off my bow
and letting go of my dreams of Olympic gold. It was this experience,
plus inconsistent performance as a college football, rugby and golf
player that ultimately led me to begin studying sports psychology in
the 1970’s. (This was really not even a field in the
1960’s when I was in college.) Initially, it was for myself.
Later, I began applying what I had learned to work as a counselor and
teacher. Over the years I’ve been able to share this
information with a number of Olympic, world-class and professional
athletes in a wide variety of sports ranging from track, to football,
basketball, and horse racing to mountain climbing and ping pong.
Your self-image influences your physical performance. Practice helps build confidence as you learn to know that you can make the shot. This becomes a mental and physical platform to build upon. Practice does make perfect, but repetition alone is not enough. Perfection is rooted in learning to master the skills involved. Practicing by yourself, taking time to think after every shot helps you develop a routine, just like a golfer grooves his swing. Each person will have a different way that they are best able to evaluate their performance. Some will use physical feeling. Others have a checklist of what they must do each time. Some people have an image of perfection they create as a basis to judge themselves. Find a system that feels right for you to evaluate your performance, and use it to become aware of your faults so you can correct them. The goal here is for shooting to become automatic because you have integrated all the basic requirements into a system that works each time.
The key to consistent peak performance in all sports is concentration.
Not so much willful bearing down, but more attaining a very focused
mental state of mind-body coordination where intention and execution
arise from a conscious decision that seems to happen without thought.
Before we get to actually concentrating, though, the spadework must be
done. All action happens out of context. Technically, “buck
fever” is a form of performance anxiety. It differs from
“target panic,” in that you are shooting at a
living animal with the intent to kill it. The emotional issues
associated with killing do influence some people’s shooting.
That’s one reason why some tournament archers can’t
hit the broad side of a barn in the field.
Let's face it, some people miss shots at deer or other game animals
because they have guilty feelings about killing. This is especially
true for novices. The guilt acts like a voice over your shoulder
saying, "No, don’t do it," when you know you should be
aiming. It either keeps you from shooting, or may make it difficult to
concentrate and make a lethal shot. If this is an issue for you, I
suggest reading my book In Defense of Hunting, which has a whole
section about the honest motivational psychology of hunting which
should make it very clear that hunting is a very healthy thing to do,
despite what some animal rights activists may claim. You should feel no
guilt about ethically and legally killing an animal.(1)
Guilt is something you can exorcise before you hunt by thinking through
the acceptability of killing an animal. You may also find it useful to
plan how you will honor an animal that you shoot. In doing research for
my next book, The Sacred Art of Hunting, (2) I found that hunters use a
number of ways to express thanksgiving to animals they’ve
shot. Some of these include:
Eugen Herrigel's classic book Zen and The Art of Archery should be
required reading for any serious archer.(3) Herrigel, a German college
professor, recounts how a Japanese master of the martial art, Kyudo,
schooled him in the meditative art of Zen archery. Much of the book
describes how one trains the mind in Zen to achieve a state of
heightened awareness called "satori." The result of such a state of
mind for the archer is that a bow seems to shoot itself, the correct
moment of release being determined by an unconscious awareness of
mind-body unity with intention. As Herrigel’s master told
him, the ideal release of the arrow should be like snow slipping off a
leaf.
There appear to be many parallels between the "satori" that a Zen
meditator seeks to attain, and "the zone" which athletes strive for.
Both arise from a combination of excitement, mastery of skills and
relaxed attitude applied to executing a focused task. To illustrate how
mental thoughts influence performance, try this simple experiment with
a friend. Hold your arm straight out in front of you and make it
strong, as if you are holding up a weight. Ask your friend to push down
to determine your strength. He need not push too hard, just enough to
affirm your strength. Now think of your arm as a wet noodle and have
him test your strength again. You can try to resist as hard as you
want, but if you have an image of your arm as a wet noodle, it will
lose a significant amount of strength. This is essentially what happens
when buck fever destroys your hunting success.
In recent years sports psychologists have borrowed a number of
techniques and concepts from meditation and martial arts and applied
them to help athletes improve their performance. The results are
dramatic. In the 1960’s mental training was supposed to be
superstition and hog wash, but now I can assure you that all major
professional, national, and Olympic sports teams, as well as many
college teams, use psychologists to teach methods and work with
individuals on their mental game. Jack Nicklaus, Michael Jordan and
Tiger Woods all will tell you that after you are in physical shape and
have the fundamentals down, success is 90% from the neck up. If you
watched the recent US Women’s Soccer World Championships, you
may have heard the announcer mention the psychologist who was sitting
on the bench beside the coach.
Drawing upon the work in sports psychology, the following are several
techniques that may be useful in strengthening your concentration to
conquer your "buck fever." They may also be helpful for curing "target
panic."
1) Use Visual Imagery -- Extend your arm and ask a friend to test your muscle strength. Resist as they apply downward pressure. This is your baseline reference point.
Now pick a point on a wall. Now extend an arm and direct your hand at
that point. Imagine that a beam of light is flowing from your arm.
Point that beam of light so it hits directly on your target. Now ask
someone to pull down on your arm. Resist their pressure. If your
concentration and visualization are strong and focused, your muscle
strength will dramatically increase, but your muscle tension will not.
This exercise follows the wise health advice of Aldous Huxley: "Learn
to combine relaxation with activity; learn to do what you have to do
without strain; work hard, but never under tension." (4)
Take your visualization technique with you when you pick up your bow.
Shooting at one spot over and over again helps develop consistency, and
you can learn from your groupings, but if you are hunting, the target
doesn’t always stand still or appear where you want them. In
practice, take a large sheet of cardboard and make a number of small
spots, about the size of a half-dollar, with a magic marker. Now try
practicing by never shooting at the same spot twice in any round. Move
around the cardboard in different patterns each time. Make yourself
concentrate on a new spot each time. Most deer are killed by shots of
20 yards or less. If you can hit a half-dollar consistently at a
distance beyond this, then your chances of killing a deer at that range
are pretty good.
Picking a spot to shoot at on a target, or on a deer, helps narrow
focus and improves concentration. If you are an instinctive shooter,
some people find it useful to imagine a laser light beam coming out of
their arrow, extending all the way to the target, like a laser sight on
a pistol. Some people imagine the half-dollar spot on the deer right
over the kill zone.
2) Choose Words to Increase Focus -- Meditators may recite a word, a phrase, or a series of words to achieve a certain state of mind and develop powers of concentration. Recall how the image of your arm as a wet noodle decreased strength and confidence. Try the same exercise of extending your arm, making it strong, and thinking the word “focus” or “the spot” to yourself. Select a word that feels appropriate to what you are doing. “Bullseye,” “zone,” or “jackpot” work for some people. That word, mentally repeated while shooting, will drive away useless mental chatter that decreases your ability to be totally focused on what you are doing. Combine the imagery with the word, called an “affirmation,” and your concentration will improve more.
3) Learn to Control Breathing -- Breathing is an important part of concentration. The breath is a physical act that unites mind and body, as well as an essential act of life. The respiratory system directly ties into your nervous system. Breathing is an involuntary act that changes according to our level of excitement, but it is also an act that can be easily controlled consciously. If you can control your breathing, you can control your excitement as well.
To quiet your mind, try this exercise. Inhale slowly for a count of 10.
Then hold your breath for a count of five, and exhale slowly for a
count of 10. You may experiment with the number of beats, gradually
increasing them to increase relaxation. Some people can develop a
32-count exhalation! Take your pulse before doing this exercise. After
doing it say five times take your pulse again and you will see a drop
in heart rate. It is a useful method to steady oneself before
competition, and for that matter, in any tense life situation,
including when a bull elk steps out of the brush 20 yards away.
If you combine your breathing with the draw of the bow, you increase your ability to concentrate as well as stay relaxed. A common rhythm is to inhale slowly on the draw, hold your breath when you are at full draw, and exhale after you have released the arrow. Combining breathing with imagery steadies your concentration even more. If you practice slow, steady breathing with each shot, it will make the jitters-factor go down a long ways.
4) Enlist A Helpful Witness -- Sometimes it may seem difficult to concentrate. Your thoughts are elsewhere. At full draw you worry about if the arrow is lined up correctly or the right elevation. Do you have the right anchor point? Have you drawn the bow back all the way? Is your posture correct? Did you draw correctly? Have you canted the bow too much? All these thoughts pull you away from your basic concentration on your target, and make it more difficult to hit the spot you are aiming at. Repetition in practice helps answer questions that can clutter the mind and get in the way of full concentration. Out of that repetition comes a form or style which is your unique way of shooting. Remembering your checklist, however, may seem to get in the way of your concentration. That’s when you need to turn over the checklist to someone else.
In meditation, some schools suggest imagining a "witness;" an observer
on the sidelines, who watches what you are doing as a coach. Most of us
carry witnesses along with us, whether we are aware of it or not. The
witness can be positive or negative: a wise coach that helps you to
improve your technique, or a critic that works against your success.
Finding a good witness is an important part of developing a performance
skill. When actor Tom Hanks received his Oscar, he thanked his high
school drama teacher, Rawley Farnsworth. Hanks said that a key in his
success is that he always imagined Farnsworth sitting in a corner,
off-camera, watching him act. That's an example of a positive witness.
Your choice of a witness is personal. A great archer like Howard Hill
or Fred Bear, could be a good witness. Ted Nugent sings about Fred Bear
being a witness to his shooting. Your witness could be a parent, an
archer hero, a Zen master or even a legendary figure like Robin Hood.
You can practice working with your witness anyplace, just by closing
your eyes. Imagine yourself on location, with bow and arrow in hand.
See, in your mind’s eye, your witness standing or sitting
beside you, watching. Now with their guidance, draw and shoot. You may
even be able to carry on a mental conversation with them. Your goal is
to work toward knowing what they are thinking.
When you go to the range and shoot, the first few times you shoot, be
very conscious of your witness. As you develop a strong awareness of
their presence, you will not need to consciously keep focused on them.
Their guidance should become integrated into your shooting, because it
is you shooting the arrows for yourself, not for them. Ultimately, you
become your own witness.
“The Zone” that athletes are talking about is a state of mind where time seems to slow down and physical performance seems effortless, despite whatever effort you may be expending. It is a state of excitement and relaxation. If you get “buck fever” know that you are half way there, because you’ve got the excitement part down. That adrenaline rush is the raw material from which perfect shots are made. All you have to do now is apply these techniques to bring that excitement under control; much the same way that rider brings a horse under control. As this happens, your senses will come more alive. Scenes take on freshness and nature becomes more rich and enjoyable. This is what “hunter’s high” is all about. “Buck fever” is just hunter’s high shifting into a higher gear. They key to success is to learn to ride that high, like a surfer takes a wave, and not lose it when the moment of truth comes to make that perfect shot.
*James A. Swan, Ph.D. is the author of In Defense of Hunting
(HarperCollins, 1994) and the new The Sacred Art of Hunting (Willow
Creek, 1999), as well as the “Media Watch”
columnist for North American Hunter magazine. He has taught natural
resources and psychology at several major universities, practiced as a
psychotherapist and continues to serve on doctoral committees in
psychology at several graduate schools. Since his teens he has never
had a sight on his bow.
1) James Swan, In Defense of Hunting, NY, NY: HarperCollins,
1994.
2) James Swan, The Sacred Art of Hunting Minocqua, WI: Willow Creek
Press, 1999.
3) Eugen Herrigel, Zen In The Art of Archery, NY, NY: McGraw-Hill,
1964. 4) Aldous Huxley The Art of Seeing New York, NY: Harper and
Bros., 1942.